Geffen moca museum11/7/2022 The book is available through the Whitney and MOCA bookstores. The catalogue (412 pages $60) is distributed by Yale University Press. Designed by award-winning graphic designer Lorraine Wild, the publication features essays by Kathryn Chiong, Liam Gillick, Edward Leffingwell, Dieter Schwarz, and Gregor Stemmrich, along with exhibition curators Donna De Salvo and Ann Goldstein, and a special contribution by Alice Zimmerman. A comprehensive catalogue, co-published by MOCA and the Whitney Museum and produced in close collaboration with the artist, accompanies the exhibition. At the Whitney Museum from Novemto February 10, 2008, the exhibition will be on view at MOCA from April 13 to July 14, 2008. #Geffen moca museum full#The exhibition also includes the full breadth of his production with works on paper, films, videos, books, posters, public commissions, multiples, and audio works.Ĭo-organized by The Museum of Contemporary Art, Los Angeles, and the Whitney Museum of American Art, New York, this landmark exhibition is co-curated by MOCA Senior Curator Ann Goldstein and Whitney Museum Chief Curator and Associate Director for Programs Donna De Salvo. The exhibition represents the full range of Weiner’s practice, from the Propeller and Removal paintings of the 1960s, to the artist’s “specific and general” works-language-based pieces that have maintained a consistent presence in his work since 1968. The conditions of a work of art have been the basis of Weiner’s approach since 1967, using language as a material object. Lawrence Weiner has defined art as “the relationship of human beings to objects and objects to objects in relation to human beings,” and that premise remains at the core of all of his work. The first major United States retrospective of the work of New York-based artist Lawrence Weiner (b.1942, Bronx, NY), one of the key figures associated with the emergence and foundations of conceptual art in the 1960s, Lawrence Weiner: AS FAR AS THE EYE CAN SEE provides a comprehensive examination of Weiner’s remarkable and cohesive oeuvre, assembling key selections and bodies of work from throughout his 40-year career. Stay tuned for more coverage of this exhibition.Curated by Ann Goldstein and Donna De Salvo The show has also been controversial among conservatives, questioning the formal celebration of vandalism, especially among young and impressionable members of the audience. you should only pay if you want to get rid of it.’ in fact, the artist banksy has sponsored ‘free mondays’ until the exhibition’s close, stating: ‘I don’t think you should have to pay to look at graffiti. The exhibition featured customized cars, such as this 1966 buick special by keith haring image © designboomĪfter jeffrey deitch censored a commissioned mural by italian street artist blu earlier this year, the exhibition has received some criticism for institutionalizing a movement which began as a rebellion against the commercialization of art. special sections of the sprawling space highlight los angeles’s specific contributions to the genre like cholo graffiti and dogtown skateboard culture, and historical context is provided by an extensive chronology on the floor above, illustrated with artwork, photos, video and ephemera. The main floor is broken up into mini-exhibitions, with rooms of work by seminal artists such as banksy, keith haring, and rammellzee. curated by jeffrey deitch, roger gastman and aaron rose, this show is the first major museum survey on the movement since its beginning in the early 1970s. Installation view of ‘art in the streets’ at the geffen contemporary at MOCA image © designboomĭesignboom recently visited ‘art in the streets,’ an exhibition featuring graffiti and guerilla art interventions from 60 international artists at the museum of contemporary art, los angeles (MOCA). Art in the streets the geffen contemporary at MOCA, los angeles on now until august 8, 2011
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